If you’re a newer player still figuring out what your style is, or if you just want to jump into the mix of things, then you should try our original Pick Variety Packs.

Available in Light/Medium and Medium/Heavy versions, these packs cover a broad range of Dunlop picks in the standard pick shape and its closest variations. The standard pick shape is a tried and true option for just about every style, and these packs offer several different gauges, materials, tips, and gripping surfaces to test out with your playing style—whether acoustic or electric. If you’re more of a strummer, then check out the Light/Medium Pack. If you’re more of a lead player, or you like to fill both roles, then the Medium/Heavy pack is a great place to start.

If you’re an electric guitar player looking to change up your tone or find a pick that better matches your playing style, then get yourself an Electric Pick Variety Pack. The gauges, shapes, and materials have been specifically selected to complement the tonality and feel of the electric guitar, especially if you’re playing leads.

Thick picks with sharper tips help with control and precise single-note runs while softer, thinner materials help achieve a built-in compression to rhythms.

Acoustic guitars require a slightly different approach than electric guitars, so the Acoustic Pick Variety Pack features a range of picks to refine your unplugged sound. Look to the thinner picks if you’re a strummer—they offer a smooth attack and nice, natural compression for even volume across the strings.

Thicker picks complement the dexterity and clarity needed to execute arpeggios and solo licks. As with other packs, different materials allow for different tonal adjustments.

So you’ve been playing a while and developed pretty killer technique, but you feel like you’ve reached a plateau. It’s time to find a new pick that will allow you to take your fretboard fireworks to the next level.

The Shred Variety Pick Pack features a carefully curated selection of shapes, materials, and grips that each take a different approach to enhancing the precision, clarity, and speed of your attack. Have fun and experiment—you might find the pick that opens up your technique to a whole new realm of expression.

The Flow Pick Variety Pack spotlights the advanced design of the Flow Pick, precision-molded to step out of the way and allow your mastery of the fretboard to take center stage—whether you’re a shredder or a strummer.

Flow Picks feature a wide angle, sharp tip, beveled edge, and low-profile grip that come together to deliver a smooth playing experience that allows you to dig in hard, play fast, and show your work. Made from aeronautical-grade Ultex material, they come in Standard and Jumbo sizes and several different gauges—this pack collects them so that you can see which one is right for you.

The Jazz III Pick Shape has become a cult favorite among players who need to play hard and fast with precision, clarity, and control. First appearing as the red and black “Stiffo” Nylon Jazz III, the shape now comes in a variety of materials and sizes.

This pack collects the most popular varieties—from the Max-Grip^® Jazz III to the Ultex^® Jazz III XL. Tons of players, from Kirk Hammett to Joe Bonamassa, have said that the Jazz III shape totally changed the way they play—grab this pack and see if these picks have the same magic for you.

The John Petrucci Pick Variety Pack collects all four of John’s signature Dunlop picks, each expanding on the iconic Jazz III shape to suit his touring and recording needs—the JP Jazz III Pick (1), the JP Primetone^® Pick (1 black, 1 oxblood), the JP Trinity Pick (2).

This pack is a must-have for John Petrucci fans or any players who want to try some of the prog rock legend’s mystical mojo on for size.

There’s no easier way to enhance your playing experience than to try out a new pick and see how it improves your tone and feel. The Bass Pick Variety Pack brings together a collection of shapes and materials that perfectly complement the low end and playability of the electric bass, whether you’re playing hard and fast or leaning back with a tight, thumping groove.

The hugely positive response to the Flow Pick line prompted us to bring that shredder-friendly shape to Tortex Pick diehards. Where the original Flow Picks have beveled edges and low-profile grips, Tortex Flow Picks rely on the special mojo provided by the Tortex finishing process to complement the wide angle and sharp tip of the Flow shape. That means you get the famous Tortex edge—famous for its crunchy, aggressive attack—and a matte surface that provides just enough texture to grab onto.

The result melds the bright, snappy attack of Tortex Picks with the gliding fluidity of our Flow Picks so that you can dig in hard and play fast for the whole gig. The Tortex Flow Pick fits perfectly in the hand—whether you’re choking up for intricate passages or loosening up for fast rhythms—and its wide-angled sides naturally direct the tip to strike the string with the least amount of effort while transferring the maximum amount of energy into the string.

Tortex Flow Picks are comfortable to hold, play like butter, and give you that unmistakable Tortex tone. It’s a whole new experience for Tortex Pick diehards who love to shred.

A lot of setups begin with string removal. In those cases, use the System 65 String Cutter to get the job done fast and clean—it’ll cut through the thickest bass strings just as smoothly as it’ll cut through the thinnest guitar strings, and it’ll fit right in your gig bag so you always have it on hand.

With the strings off, it’s time to show your frets some love. If you don’t do so every now and then, they get all gritty and tacky under your fingers. That makes for a lame playing experience—don’t put up with that. The System 65 Fret Collar Kit makes polishing your frets super fast and easy while protecting your fingerboard at the same time. Just slip one of the fret collars over a fret, and use the included fret polishing cloth to remove gunk and bring back the nice, natural sheen of the metal. Most guitars and basses can be done in as little as 90 seconds.

After polishing your frets, use the System 65 Uni-Wrench to make sure all your jacks and switches are on tight. This handy little tool can adjust nearly every nut on your guitar or bass, even the round ones, thanks to the exceptional grip provided by its precision-tooled teeth.

Before you put some new strings on, grab the System 65 Superlube Gel Pen to make sure all your moving parts and nut slots are lubricated for improved tuning stability. With the flexible spatula tip, you can easily apply Superlube Gel where you need it—from saddles and nuts to string trees and tremolo parts—and the thick gel will stay put.

Restring your guitar—with help from the System 65 String Cutter, of course—and then tune up. Use the System 65 Action Gauge to check your string height, pickup height, and neck relief. It has both metric and standard units for precise measurements for the greatest playability.

The System 65 Screwdriver and Multi-Tool are both must-haves if you need to adjust neck tension and string height. The System 65 Multi-Tool is a screwdriver, socket wrench, and hex key all in one—features 9 hex key attachments (six metric, 3 standard), a Philips #1 screwdriver attachment, a 2.5mm flathead attachment, and an 8mm socket wrench attachment—while the Screwdriver comes with 4 different bits—2 Phillips-head, 2 flathead. Between the two, you should be able to adjust nearly any screw on your guitar or bass.

If you take your instrument on the same tour through our System 65 Tools collection, you’ll be all set for a great experience. Don’t be afraid to know your instrument inside and out—your playing will thank you for it.

The one that started it all, the original Carbon Copy Analog Delay is for players who want to plug in and play without any option anxiety on or off of a pedalboard. Just use the three external controls set delay time, the number of repeats, and the mix of wet and dry signals, and if you want to add some tape echo warble or shimmery chorusing to your repeats, just hit the Mod switch. You can tweak the speed and width of the modulation circuit by accessing the internal controls if you’re so inclined—just remove the bottom plate—otherwise, all you need to bother with are the three knobs on the front of the pedal. Finally, the M169 runs on battery as well as AC power if you’re a player who likes a more freestyle setup.

The Carbon Copy Deluxe Analog Delay is for players who want more control over the tone and texture of their repeats as well as more freedom in the studio. It takes the warm bucket-brigade delay and cool modulation of the M169 and adds several features for the players who want to take their time to get down and dirty with their delay signal. First, the M292 boasts a tap tempo switch that unlocks a full 1.2 seconds of delay potential so that you can play everything from tight slap-back notes to moody, spatial soundscapes while syncing up the rhythm of the repeats to whatever song you’re playing. On top of that, the Tap Division switch, accompanied by an easy-to-read status display, gives you four different subdivisions: dotted 8ths, 8ths, triplets, and 16ths.

Now, let’s talk tone. As mentioned, the M292 features the same modulation circuit as the M169, but we put the Speed and Width controls on the front of this pedal for players who like to tweak and experiment rather than set it and forget it. For further tonal versatility, we added a Bright switch, which engages the vibrant articulation of the Carbon Copy Bright Delay circuit. The Mod and the Bright switch both offer a wide range of sounds—just what you need when dialing in the right character for your delay signal.

Now for the deep-delvers. First, let’s talk about the expression jack. If you have an expression pedal such as the Dunlop DVP3 Volume (X) Pedal or DVP4 Volume (X) Mini Pedal or an external footswitch such as the MXR Tap Tempo Switch, you can hook it up to the Carbon Copy Deluxe Delay’s expression jack and then program two different configurations for the Delay, Speed, and Width knobs and Bright, Tap Div, and Mod switches. An expression pedal will allow you to blend seamlessly between the two, while an external footswitch will allow you to switch discretely between the two. You can also set up the external switch to control the Bright switch, the Mod switch, the Tap Div switch, and more.

If you plan on laying down some tracks in the studio, the M292 has a couple of features under the hood to make your life easier. Removing the bottom plate gives you access to the internal Input Gain and Dry switches. The internal Input Gain switch can be used to optimize performance for line-level input signals so that you can plug in to an effects loop. The Dry switch can be used to remove the dry signal from the output mix while the delay effect is on, giving you 100% wet return for recording and parallel signal mixing.

Like the M169, the M292 can run on both AC and battery power.

Finally, we get to the new kid on the block. If you love the elegant simplicity and great sound of the original Carbon Copy Analog Delay, but you’re looking to free up some pedalboard real estate, the Carbon Copy Mini Analog Delay is exactly what you’re looking for.

Like both the M169 and the M292, the M299 is built around warm, bucket-brigade delay tones. It has Regen, Mix, and Delay controls with a Mod switch on the face of the pedal —with Speed and Width controls for the modulation circuit located inside the pedal—just like the M169. Like the M292, this pedal features a Bright switch on the side of the pedal for players who want that extra tonal variety.

The Carbon Copy Mini Analog Delay adds another set of delay solutions to the Carbon Copy line. At a time when pedalboard space comes at a premium, the M299 will make the most of its little footprint.

Order yours now. Don’t…wait.