So you’ve spent some time with the Cry Baby® Standard Wah, getting a feel for how its sweep works and when to use it to season up your licks. The time has come to step up your Cry Baby Wah game, to branch out and explore different tonal possibilities. But there’s so many to choose form—where to begin?

We put this cheat sheet together to help you find a starting point. This guide is broken down by musical genre/style. It’s meant to be a general overview—your personal tastes and playing style will, and should always be, the deciding factor when you choose your next Cry Baby Wah.

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In 2017, we’re celebrating the 50th anniversary of the Cry Baby® Wah, first released in 1967 by the Thomas Organ Company. For 35 of those years, the Cry Baby Wah has been a part of the Dunlop family of products. In 1982, we acquired all the original tooling and machinery used by the Thomas Organ Company and Jen Elettronica when they manufactured the very first Cry Baby pedals. We’ve been making wahs ever since—longer than any other company—and our diverse range of wah pedals is a testament to that fact. Whatever your playing style, there’s a Cry Baby Wah to help you express your musical vision.

Let’s take a look at the different pedals that make up the core of the Cry Baby line and see what they have to offer.

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Believe it or not, there actually was a time when there was no wah wah. It’s hard to imagine funk, blues, rock, and soul—and guitar music in general—without the vocal, squawky, yow-y sounds that the wah pedal can produce. But it’s true. There wasn’t always wah. Someone had to invent it. Someone did, and things have never been the same.  And much like all cola beverages came to be associated with one iconic brand name, the world knows wah wah by the name Cry Baby®. To find out how we got to this funky, expressive, Cry Baby place, however, we need to back up.
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Keep your instruments pristine with Dunlop’s Platinum 65™ Premium Care System of professional grade instrument care products. We took a cue from the automotive care industry, harnessing Montan wax—its latest innovation—as the Platinum 65 line’s key ingredient. Montan wax is a fossilized plant wax prized for its ease of use and deep glossy shine.

The Platinum 65 System optimizes Montan wax for the maintenance of musical instruments so that you can both clean your guitars or basses and dress them with a protective barrier. Platinum 65 products take less time and less effort than any other wax-based care product—there’s no need to wait for drying, and there’s no need to wear your arm out trying to even out the surface coating.

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Platinum 65 care comes in two forms. For quick and easy everyday care, there’s the 1-step Cleaner-Polish. For weekly use, or whenever more thorough care is necessary, we recommend the Deep Clean and Spray Wax two-step process. Both Deep Clean and Spray Wax are silicone-free.

We put together a step-by-step process for applying care products to show how simple and effective the Platinum 65 Premium Care System is at cleaning and protecting your guitar.

The Echoplex® EP-3 tape machine was the secret ingredient in some of the most iconic tonal recipes from the ’60s and ’70s. Top guitar players loved its deliciously warm, organic modulation and sweet musical voice of the preamp so much that they’d use it as a tone-sweetener with the delay effect turned off.

The problem for modern players is that the original EP-3 machines are expensive, temperamental, and larger than a VCR. They require a ton of maintenance, and it’s increasingly difficult to find the correct tape cartridges. So even if you can find and afford a perfectly running EP-3, a single gig can take quite a toll on the machine as well as wear out your precious tape.

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