The MXR® Super Badass Variac Fuzz delivers a big, aggressive, and biting square wave tones with a nice touch of smooth compression. Its Tone, Output, and Gain controls provide plenty of fine-tuning potential, but what makes this pedal a dream come true for tonechasers is its Variac control.

The Variac control allows you to vary the pedal’s voltage from 5 to 15 volts, which also changes how much headroom is available—lower voltage means lower headroom and vice versa. Many pedals sound radically different depending on how much headroom they have.

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MXR set the standard for phase pedals with the release of the Phase 90 in 1972. That little orange box went on to become the sole iconic example of its effect category, and it has been used by the world’s greatest guitar players—such as Jimmy Page, David Gilmour, and Eddie Van Halen—to record some of the most iconic songs ever cut to vinyl.

Several Phase 90-based phasers have been released since then, and this year, we’re introducing the Phase 95—it packs the evolution of the Phase 90 circuit into a single housing, and at half the size of its forebear, it’s the first ever mini pedal from MXR. The Phase 95 is the most versatile phaser we’ve ever produced. Before we get into the how and why, let’s look at the MXR phasers that brought us to this point.

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Keep your instruments pristine with Dunlop’s new Platinum 65™ Premium Care System of professional grade instrument care products. We took a cue from the automotive care industry, harnessing Montan wax—its latest innovation—as the Platinum 65 line’s key ingredient. Montan wax is a fossilized plant wax prized for its ease of use and deep glossy shine.

The Platinum 65 System optimizes Montan wax for the maintenance of musical instruments so that you can both clean your guitars or basses and dress them with a protective barrier. Platinum 65 products take less time and less effort than any other wax-based care product—there’s no need to wait for drying, and there’s no need to wear your arm out trying to even out the surface coating.

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The Echoplex® EP-3 tape machine was the secret ingredient in some of the most iconic tonal recipes from the ’60s and ’70s. Top guitar players loved its deliciously warm, organic modulation and sweet musical voice of the preamp so much that they’d use it as a tone-sweetener with the delay effect turned off.

The problem for modern players is that the original EP-3 machines are expensive, temperamental, and larger than a VCR. They require a ton of maintenance, and it’s increasingly difficult to find the correct tape cartridges. So even if you can find and afford a perfectly running EP-3, a single gig can take quite a toll on the machine as well as wear out your precious tape.

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​The JP95 John Petrucci Cry Baby® Wah provides unprecedented tonal tweakability. With its huge and expressive sound, this pedal is the culmination of legendary shredder John Petrucci’s years-long quest to hone and fine-tune his perfect wah sound. John sat down with us to talk about the tonechasing that led to the JP95’s creation as well as his introduction to the wah effect and how it fits into his songwriting process. Check it out.
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